FICTION

BRIGHTEST LIGHT OF SUNSHINEAn emotional friends-to-lovers romance between a tattoo artist who steps in to take care of his baby sister and his sister's ballet teacher, who is ready to start healing from her past. Perfect for readers who love friendships that slowly turn into more, relatable main characters, and happy endings.“As much about moving on from adversity—without pretending it can be forgotten—as it is a love story.” -Kirkus ReviewsDetermined to walk away from a traumatic past, 22-year-old Grace Allen feels ready to take the next step in her healing journey and dip a toe into the dating pool. Although she should probably start by making a friend or two, right?Samuel ‘Cal’ Callaghan isn’t who she had envisioned as her first male friend in…well, forever. With an intimidating build, tattoos everywhere, eight years her senior, and a little sister under his care, he’s the last person she expected to warm up to. As their friendship evolves, Grace can’t help but wonder if Cal is exactly who she’s been looking for all this time.Cal can’t afford to lose sight of his priorities—making sure his tattoo parlor thrives and taking care of his little sister. Especially the latter. He wants to make sure 4-year-old Maddie has a healthy and happy childhood, despite their mother going off the rails and her father’s blatant neglect. There’s certainly no room for love in his life right now. But when a sweet blonde with a veiled past breaks down his walls, he finds it difficult to stick to his guns.

<p>SHORTLISTED FOR THE DANGER AWARD - BEST CRIME FICTION'A brilliant Aussie thriller, The Wiregrass is perfect for fans of Jane Harper, Chris Hammer and Candice Fox.’ – Books and Publishing’Adrian Hyland writes superior crime fiction with a keen eye for setting and characterisation...’ - The West Australian‘The Wiregrass delivers an irresistible fusion of an untamed and unforgiving Australian landscape, with a police procedural that will have you galloping through the pages... the perfect book to read curled up in bed during a cracking summer storm.’ – The AustralianA murder made to look like an accident. A disgraced cop trying to forget his past.</p><p>My eyes sprang open. What was wrong? Something had been hovering down in the backwoods of my brain. A disturbing image that only rose to the surface when I began to relax. Wild winds, wet hair, black bark, blood. A crushed body. The poor bastard killed by the falling tree at Wycliff Rise. Something about that scene wasn’t right. Nash Rankin is a disgraced cop trying to escape his past – his career was destroyed when he chose to take justice into his own hands. Now he’s living a quiet life in a small town, caring for the local wildlife and trying to stay away from trouble. Jesse Redpath has a new job in a new town: Satellite. The stormy weather that greets her first few days on the beat seems like a sign of what’s to come. A local has died in what looks like an accident, but Jessie isn’t so sure that the ‘accident’ wasn’t planned. All the evidence points to Nash, but Jesse’s not sure about that either. Seems like Nash has enemies. And what looks like a close-knit community might just be a cover for dark secrets.No amount of rain will wash this town clean. The new Jesse Redpath crime thriller from the bestselling author of Canticle Creek.Praise for Canticle Creek: ‘The rural crime fiction wave continues with this brilliant new arid drama.’ - Australian Women's Weekly ‘Hyland has mastered the architecture of noir – his sinister tale seethes with small-town atmosphere and satisfying twists, set against the dangers and harsh beauty of the Australian landscape.’ - Sydney Morning Herald ‘an entertaining and engrossing novel. Hyland has written the ideal story for a long, hot summer, where fire always seems a possibility.’ - The Canberra Times ‘You can almost feel the blanketing heat and crunch of dry foliage underfoot while reading Canticle Creek ... a well-paced, atmospheric thriller with unexpected twists’ - The West Australian ‘An atmospheric gripper.’ - Crime Monthly ‘More please.’ - The Times </p>